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Right from the start, the main goal is for guests to arrive, unwind, and feel at home immediately. The rooms are therefore intentionally designed to be calm and are meant to exude a sense of natural ease and comfort.

It is only then that the real exploration begins. There are many small details that do not immediately catch the eye: the solid-wood pendant lights hanging slightly askew next to the bed, backlit photographs of the surrounding area, or the mountain panorama incorporated into the acoustic panels.

The landscape also appears again and again in the bathroom. Figuratively speaking, when you sit on the toilet, you’re right in the middle of the Bolgenachbach stream, and the shower’s wall covering is somewhat reminiscent of the view from an alpine pasture across the meadow.

So we didn't want to create a space where you've already seen everything the moment you walk in. We think it's much nicer when little details catch your eye little by little, time and again.

When selecting materials, our top priority was that everything feel natural, high-quality, and comfortable. Our guiding principle is this: Everything you touch should feel authentic—warm wood, linen, or sturdy cotton fabric instead of smooth, somewhat cool surfaces.

That's why we kept the color palette very subdued and focused primarily on warm beige, gray, and natural tones. They provide a calm backdrop for the existing wood elements and lend the rooms a lighter, airier feel overall.

At the same time, we’ve tried to think as much as possible in terms of the long term and sustainability. The acoustic panels, for example, are made from recycled PET bottles, among other materials. The new carpet is also made up of individual sections that can be replaced separately as needed. Especially in a hotel setting, this isn’t just more sustainable—it’s also more hygienic and significantly more durable.

For me, it’s actually less about any single element and more, at first, about this new sense of space. If you knew the rooms before, you immediately notice how much more open and peaceful they’ve become. I really like that feeling of breathing and settling in.

At the same time, I love the variety of different types of wood. To some, this might seem a bit chaotic at first—but for me, that’s exactly what gives it its character. After all, our local forests aren’t made up of just a single type of fir or spruce. A forest thrives on a variety of tree species, colors, and textures.

I love bringing that honesty into a space and not trying to perfectly coordinate everything to a single shade. After all, nature isn't perfectly curated either—and that's exactly where its beauty lies.

If I had to choose just one specific detail, it would probably be the wooden pendant lights hanging slightly askew next to the bed. To me, this little touch fits perfectly with the HUBERTUS. The rooms can be elegant and serene without becoming too serious.

Our collaboration with Karl, Marc, and Christa is characterized by mutual respect and, above all, a great deal of trust. This makes working together incredibly enjoyable and, at the same time, gives us a great deal of creative freedom.

What I find particularly wonderful is this openness to new ideas. You’re free to experiment, try out new forms, and even take an idea—one that might seem a bit unusual at first—a step further. Often, it’s through this collaborative exchange that small details emerge—a unique seating nook, a surface, a piece of furniture, or an unexpected solution—that ultimately make a space truly special.

I also greatly appreciate the company’s values. For example, regional focus isn’t just something people talk about—it’s actually put into practice, such as through collaborations with artisans and businesses in the immediate vicinity. At the same time, there’s a great sense of joy in continuing to develop things while still retaining one’s own character.

And it's exactly this combination that makes working together so incredibly wonderful for us and really fun. You get the feeling that you're creating something together, rather than just working through a job.

My personal favorite spot is the window seat—or daybed—in suites 902 and 903.
I think it has an incredibly cozy atmosphere. You can really snuggle up there, look outside, read, or just do absolutely nothing.
It’s not a big, flashy design element, but rather a little retreat—and that’s probably exactly why I like it so much.